Taishi TakemotoMaya AsabaSumire NagaiKurea Hasumi
Queen of the Night: Sexy Battle Between Sisters Hostesses
Medium: film
Year: 2018
Writer/director: Daisuke Yamanouchi
Actor: Kurea Hasumi, Sumire Nagai, Masamitsu Kani, Maya Asaba, Taishi Takemoto
Keywords: boobs, hostess club
Country: Japan
Language: Japanese
Format: 75 minutes
Url: https://www.themoviedb.org/movie/1079098-sex
Website category: J-sleaze
Review date: 5 March 2026
Queen of the Night Sexy Battle Between Sisters Hostesses
It's another Daisuke Yamanouchi Jou-Ou film. It's set in Club Grace rather than the Red Dragon Club, but that's unimportant. It's indistinguishable from its predecessors. They're both about the world of kyabajou girls who fawn on men for a living, sometimes use sex for professional advantage and among each other have a bitchy "I'm going to be Number One" rivalry. There's even an overlapping actor or two. (Incidentally, Daisuke Yamanouchi also has a Night King series about male hosts rather than female hostesses, which recently crossed over with his Jou-Ou series with Queen of the Night vs. Night King: Sweet Night Game.)
Alas, though, today's film isn't that good. I'm reminded of the last Red Dragon Club film. Both have an undercooked protagonist played by a pudding-like actress (here Sumire Nagai).
I like the plot, mind you. Michiru (Kurea Hasumi) is the club's number two girl, which displeases the number one, Reira (Maya Asaba). The latter is the only actress worth watching here, but she overcompensates for her bland co-stars by hamming it up a bit. She'll give slightly weird evil glares of hatred, although admittedly this fits her character's tactics (pepper spray, knife, facial mutilation).
Anyway, Michiru sleeps with the wrong bloke, angers Reira and ends up with a gross but silly facial prosthetic. Sumire Nagai plays Michiru's younger sister, Rin-chan, who runs away from home and ends up taking her profession.
Unfortunately, Rin's not that interesting. She's nice. That's it. I didn't dislike her, but she's practically a plot passenger. She's carried along by events instead of shaping them. There's a psycho stab-happy ending, as usual. (That's four out of four so far for someone getting stabbed at the end of a Daisuke Yamanouchi Jou-Ou film in my watch-a-thon.) Theoretically, the ending's strong, with harsh poetic justice and the wrong people still being completely okay... but this would have been a better film had Rin-chan been more active in its second half. She smiles, gets involved with a man and experiences a little petty bullying. That's all, although admittedly I liked the relationship between the (under-acted) sisters.